Beatrice Duperval

Route Sales · Columbia, SC · Sketchbook & Steel

Dispatch From the Cab

I'm a driver-sales associate out of Columbia, South Carolina—CDL in one hand, sketchbook in the other. My days are spent optimizing routes across the Piedmont and Lowcountry, chasing ETAs like they owe me money, and my nights are spent translating that chaos into ink on paper. Every highway has a rhythm. I just happen to write it down.

I grew up on smoked andouille and James Clear at the kitchen table, learning that logistics is just poetry with deadlines. My grandmother used to say "every mile is a verse you ain't got time to rewrite"—and she was right. Now I'm building toward a supervisory role where I can protect both the numbers and the people who carry them.

Red semi-truck driving through mountainous highway landscape
I-26 heading east past the Fall Line — where the granite gives way to sand

Recent Runs

Date Origin → Dest Miles Load Notes
Jul 18 Columbia → Charlotte 202 Textile machinery parts Construction on I-85 added 47 min. Sang "Georgia on My Mind" to the empty passenger seat.
Jul 15 Columbia → Charleston 115 Perishables (temp-controlled) Hit a wall of fog near Mt. Pleasant. River breeze finally cleared it. Sketch of the harbor at dawn — p. 43 of notebook.
Jul 12 Columbia → Florence → Raleigh 348 Consumer electronics Two-stop run. Stopped for grits at a diner off I-95. The waitress knew my order. That's the job—becoming part of places you only pass through.

The Sketchbook

Between loads, I draw. Bridge trusses, loading-dock shadows, the way light hits a fuel nozzle at 4 AM. My sketchbook is half route map, half visual diary. Some days the charcoal smudges because my hands are still shaking from a tight delivery window. Other days it's clean lines and I don't know why.

Hand sketching detailed design in a sketchbook with mechanical pencil
Field sketch — the geometry of a trailer door caught between shifts
"The Palmetto Lowcountry doesn't have straight lines. Not really. The roads curve around old rice fields and the trees lean into the humidity like they're listening to something. I try to draw that bend."

Who I'm Reading

Folks I've been following who build things that matter:

Albert's formwork work reminds me that every joint is a choice—and clean lines take patience you can't fake.

What I Know

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On the Wire

My latest posts…

Films

No films yet — the first one's coming.